2022 Taipei Fringe Festival

《花花花花園：藍》是一個流動寫生的體驗。觀眾可以遊走於空間、自由選擇觀看的角度；表演者相遇、碰觸、輕而緩地掠過情慾曖昧的邊界。此時，觀眾不再只是被動的接受展演；透過遊走、透過提筆描繪，觀眾可以更主動的觀看演出。每一張觀眾畫作所留下的痕跡，不僅一齊回映了「表演式繪畫」的現場流動與痕跡保存，更呼應這次的演出：有多少種觀看角度、便有多少朵繁花盛開。

《花花花花園》是一個探索情慾的系列創作，而它的前身來自云云2020年駐村臺中群島藝術園區，所發展的《製作花的方法》。在這個系列裡，花的盛開與人的情慾有了詩意的連結。

花會開、會落；而有時，它會冬眠，直到下一個開花的季節。

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In Blooming: Blue (2022), the audience is invited to participate in a life drawing experiment. They are welcome to walk around the space during the performance and change their angles. As the performers investigate the unfolding of sexuality, the audience is invited to choose their frame actively and document those moments, not through technology but drawing. The traces left on the paper is an essential part of the experience. One of the performative drawing’s focal concepts, the traces, can capture the flowing movement and, further, the essence of the experience.

Blooming is also a series in which the creators plan to explore different aspects of ‘sexuality’. Deriving from their past work How do we mould flowers?(2020), the artists take botanicals as an analogy for human beings’ sexuality which can unfold in its own special way and where there are different seasons.

It will bloom, wither, and sometimes, it will rest until it’s ready for the next bloom.

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